From the award-winning pen of Achmat Dangor comes a subtle and multi-layered collection of short stories that showcases an unusual and illuminating take on ‘the struggle years’, and how the past impacts on us in a variety of ways.
A nameless young governess sent to a country house to take charge of two orphans, Miles and Flora. Unsettled by a dark foreboding of menace within the house, she soon comes to believe that something malevolent is stalking the children in her care.
Elie Wiesel was fifteen years old when he and his family were deported by the Nazis to Auschwitz. After the war, Wiesel studied in Paris and later became a journalist. During an interview with the distinguished French writer, Francois Mauriac, he was persuaded to write about his experiences in the death camps.
Down second avenue is Es'kia Mphahlele's autobiography of his South African childhood and his struggle against discrimination.
The Comedy of Errors
For this second edition of The Comedy of Errors, Ros King has revised T. S. Dorsch's renowned text and written a new introduction to the book. She argues that the play cannot be dismissed as a classically-based farcical romp but that it rightly belongs to the critically misunderstood genre of tragi-comedy.
A howl of love and rage, playful and funny as well as hard and bitter' New York TimesAs young girls, Nel and Sula shared each other's secrets and dreams in the poor black mid-West of their childhood. Sula is a story of fear - the fear that traps us, justifying itself through perpetual myth and legend.
WITH AN INTRODUCTION BY HELEN SIMPSON
From familiar fairy tales and legends - Red Riding Hood, Bluebeard, Puss in Boots, Beauty and the Beast, vampires and werewolves - Angela Carter has created an absorbing collection of dark, sensual, fantastic stories.
`It is a better guide to French colonial Africa, and to racism, than any non-fiction account, whether by an African or a Frenchman.' The Times Literary Supplement 'very funny and inexpressibly sad' Punch.
Two cousins grow up in the 1860s on a lonely farm in the thirsty mountain veld. Em is fat, sweet and contented, a born housewife; Lyndall, clever, restless, beautiful... and doomed. Their childhood is disrupted by a bombastic Irishman, Bonaparte Blenkins, who gains uncanny influence over the girls' gross, stupid stepmother.