While Ngugi enjoys scouting trips, chess tournaments and reading about Biggles at the prestigious Alliance School near Nairobi, things are changing at home. He arrives back for his first visit since starting school to find his house razed to the ground and the entire village moved up the road closer to a guard checkpoint.
For this second edition of The Comedy of Errors, Ros King has revised T. S. Dorsch's renowned text and written a new introduction to the book. She argues that the play cannot be dismissed as a classically-based farcical romp but that it rightly belongs to the critically misunderstood genre of tragi-comedy.
For this second edition, Robert Hapgood has added a section on recent critical approaches to Hamlet as well as contemporary film and stage productions. He focuses on actors in the Hamlet role and on directors, and stresses the role of remembering and forgetting. Feminist and performance studies are also discussed.
In "Paradise Lost", Milton produces a poem of epic scale, conjuring up a vast cosmos and ranging across huge tracts of space and time. And yet, in putting Satan and Adam and Eve at the centre of this story, he also created an intensely human tragedy on the Fall of Man.
This text is a revised edition of Charles Dickens' classic tale. As Pip eagerly abandons his humble origins to begin a new life as a gentleman, his education and development through adversity are depicted and he discovers the true nature of his "great expectations".
Both an insight into James Joyce's life and childhood, this novel is about sexual awakening, religious rebellion and the essential search for voice and meaning that every nascent artist must face in order to fully come into themselves.
A howl of love and rage, playful and funny as well as hard and bitter' New York TimesAs young girls, Nel and Sula shared each other's secrets and dreams in the poor black mid-West of their childhood. Sula is a story of fear - the fear that traps us, justifying itself through perpetual myth and legend.
`It is a better guide to French colonial Africa, and to racism, than any non-fiction account, whether by an African or a Frenchman.' The Times Literary Supplement 'very funny and inexpressibly sad' Punch.